SELECTED ESSAYS 1917 - 1932
London: Faber & Faber, (1932). First Edition. Hardcover. Bound in full blue vellum. Gallup A21.b. Copy #47 of only 115 copies SIGNED by the author.
London: Faber & Faber, (1932). First Edition. Hardcover. Bound in full blue vellum. Gallup A21.b. Copy #47 of only 115 copies SIGNED by the author.
London: 20 December 1951. Letter. One-page single-spaced letter on Faber & Faber stationery SIGNED by the poet. Addressed to Charles Ede of The Folio Society Limited thanking him for suggesting a special edition of some of Eliot's poems. "But the copyright in my work is controlled by Messrs. Faber &.....
London: 29 September 1955. Letter. A 1-1/2-page single-spaced letter on both sides of 6-7/8" x 8" Faber & Faber stationery SIGNED by the poet on the verso. Addressed to poet Margaret Stanley-Wrench. In full: "I have not been able to lay my hands on the letter which you say I......
London: 22 December 1953. Letter. One-page letter on both sides of Faber & Faber stationery SIGNED by the poet. Addressed to Anne Munro-Kerr of London's League of Dramatists. In part: "I am not quite clear, I am afraid, as to how we have been dealing with productions of my plays.....
London: R. Cobden-Sanderson, 1922. First Edition. wraps. Volume I, Number 1. Original printed tan wraps with yapped edges of this periodical founded and published by Eliot. Contains the first printed appearance anywhere of THE WASTE LAND. Also includes contributions by Dostoevski (plan for an unfinished novel co-translated by Virginia Woolf).....
(New York): (Dial Publishing), 1922. First Edition. wraps. Volume LXXIII, Number 5. Original printed salmon wraps. Contains the first printed appearance in the United States of THE WASTE LAND, and only its second appearance overall, having appeared the previous month in England in the CRITERION Magazine. Also includes contributions by.....
[London]: London Gallery Editions, 1944. Man Ray. First Edition. Softcover. Original wraps with a printed blue dustwrapper. Frontispiece portrait of Eluard by Man Ray. Copy #62 of 500 printed on fine paper made by Arnold & Foster, Ltd. and SIGNED by the translators, Roland Penrose and E. L. T. Mesens.....
London: Poem of the Month Club, 1971. First Edition. An 11" x 15" broadside SIGNED by the poet.
London: Poem of the Month Club, 1972. First Edition. Broadside. An 11" x 15" broadside SIGNED by the poet.
Philadelphia: Centaur Press, 1932. First Edition. hardcover. Preface by Archibald MacLeish. With six poems by Faulkner, including "My Epitaph," as well as poems by Hart Crane, Harry Crosby, Kay Boyle, and others. One of 500 numbered copies, this lacking the glassine.
New York: The Viking Press, (1965). First Edition. Hardcover. Poet's second book, SIGNED on the title page and INSCRIBED on the half-title page in 1971: "for Bill Meredith/with gratitude for/this most pleasant/meeting/Irving." Laid in is an AUTOGRAPH LETTER SIGNED from Feldman to Meredith forwarding a poem (not present) and asking.....
Framed Letter. A brief letter completely in Frost's hand (5-1/2" x 5-1/2") matted with a photograph reproduction portrait of Frost (7-1/2" x 9-1/2") and two small brass plaques, one a nameplate and the other with the famous five last lines of "The Road Not Taken," all in a handsome wood.....
London: David Nutt, 1913. First Edition. Hardcover. Original bronzed brown pebbled cloth, gilt-lettered on the front cover. Crane A2: First Issue, Binding A of Frost's first book. Less than 350 copies of the first issue in the first binding were issued, from a total edition of 1,000. INSCRIBED and SIGNED.....
New York: Henry Holt, (1949). First Edition. Hardcover. Frost's essay "The Figure A Poem Makes" serves as an introduction to this volume. INSCRIBED and SIGNED on the front endpaper to the designer of the book, Maurice Serle Kaplan: "with thanks for the/fine book he has made me/Robert Frost/November 1949/New York.".....
New York: Henry Holt, (1916). First Edition. Hardcover. Crane A4. Exceptional copy of his third regularly published book and his first book to be published originally in the United States, including the first appearance of two of Frost's best-known poems, "The Road Not Taken" and "Birches." First state with the.....
New York: Henry Holt, 1915. First American Edition. Hardcover. Stated "Third Edition" on the copyright page but actually the Second Edition and the first edition printed in America; Crane A3.2: 1300 copies published. With "fain" for "faint" on the front panel of the dustwrapper.
New York: Modern Library, (1946). Hardcover. Reprint of this popular collection which features Frost's essay on poetry, "The Constant Symbol," as an introduction. This copy has been INSCRIBED and SIGNED by the poet on the half-title page.
New York: Modern Library, (1946). Hardcover. Reprint of this popular collection which features Frost's essay on poetry, "The Constant Symbol," as an introduction. This copy has been SIGNED by the author and INSCRIBED to minor poet and folklorist Addison Barker with the complete eight-line poem "The Pasture," the first poem.....
New York: Henry Holt, (1928). First Edition. Hardcover. The First Expanded Edition, originally published in 1923. Crane A9: 3475 copies printed.
New York: Henry Holt, (1934). Third Edition. Hardcover. INSCRIBED and SIGNED by the author "For Harry and Anna-Louise Rudin of Vermont" on the front endpaper with the entire eight-line poem "Dust of Snow" in FROST'S HOLOGRAPH above the inscription.
[New York]: Henry Holt and Co., [1924]. J. J. Lankes. First Edition. wraps. Single sheet folded once to make a four page pamphlet printing six poems, including "Stopping by Woods on a Snowy Evening." Illustrated with two woodcuts by J.J. Lankes. Crane A8. Limited to 2000 copies printed for distribution.....
n.d. Framed Photograph. Vintage 8" x 10" photograph of Frost seated outdoors with four other writers SIGNED by all five in the lower right margin. The other writers include Louis Dodge, Lee Shippey, Frost friend and bibliographer Louis Mertins, and one name we are unable to decipher but we have.....
1961. Photograph. Vintage 8" x 10" photograph of Frost seated outside a house next to a woman (the recipient?) with two men seated on each side of them, with the stamp of the photographer on the verso: John F. Smith, Jr. of Middlebury, Vermont. Loosely inserted into a mat on.....
n.p. Framed Photograph. An 8" x 10" black-and-white portrait of the elderly poet, partly in shadow, matted and framed to an overall size of 12" x 14". INSCRIBED and SIGNED to poet William Meredith: "Robert Frost/to/William Meredith/in friendship/Aug. 9, 1960." With a ticket to a reading by Frost at Connecticut.....
New York: Henry Holt and Company, (1928). First Edition. Hardcover. Crane A10: Presumed Second State with "First Edition" printed on the copyright page. Illustrated by J. J. Lankes. Contains the title poem, "Spring Pools," and "Acquainted With the Night," among others. Laid in is an undated but contemporary letter on.....